So what is an actor to do? play stanley in that kind of no-holds-barred naturalist manner and be dismissed by the critics as "imitation brando?" or develop an equally viable, more stylistically complex approach to the role and risk disappointing audiences that cannot help remembering the movie kowalski as the gold standard against which all other kowalskis must fall short? at studio arena theatre in buffalo, new york [8 sept. to 13 oct. 2002], director jane page went for the complexity, even allowing her stanley kowalski a heroic quality. she wrote in her program essay: "stanley is the quintessential american hero of detective fiction and westerns, a rough selfmade man who claims his own domain." ted koch, who played stanley at studio arena, told an interviewer that this "dream role for an actor [.] comes with its problems" [huntington, 1 sept. 2002]. koch was tempted to watch the movie version, but decided not to: "i already have all those famous images of brando floating around in my head that are hard to shake." so koch tried to dismiss those images, and remember that now it was his turn to put his own stamp on the role. in his interpretation, stanley is not just "a coarse brute in a t-shirt wallowing in animal sexuality." stanley is a moderately successful salesman. in koch's view: "he's not always going to sit around with his pants undone and belly hanging out. this stanley can dress for success." stanley is jealous and resentful of anyone who interferes with his wife or friends. like any human being, he has a multi-faceted personality: "he can be cruel or jokey. he can make stella laugh, like when he reaches in blanche's trunk and pulls out pearls and says, "what is this sister of yours, a deep-sea diver?" he has a certain charm. but then with every scene another layer is added and by the end where this terrible thing happens you can see how he is so drawn to do it that he believes that he is--somehow--justified" [huntington, 1 sept. 2002]. interpreting stanley with a slightly more contemporary masculine sensibility did not mean that the studio arena production avoided naturalism entirely. indeed, the dominant visual element when stanley called up to "stell-ahhhhh!" was two big ugly garbage cans. page's major concession to naturalism was the rape itself, which she describes as "down and dirty." the sequence culminated with stanley throwing blanche against the do you play poker table and "attacking her from behind, lifting her skirt and pinning her arms down, " thus taking it to a degree of violence considerably beyond the usual pulling back her head by the hair [page email]. the studio arena production also avoided making blanche "a fragile thing that flutters in from another universe." one reviewer observed that. free game poker Dyer, bob, environmental protection agency, washington, d.c. dyurgerov, mark, institute of arctic and alpine research, university of colorado, boulder eamer, joan, united nations environment programme global resource information database, norway eicken, hajo, geophysical institute, university of alaska, fairbanks erickson, todd, seemore wildlife systems, homer, alaska ely, craig, usgs, anchorage, alaska forbes, bruce, arctic center, university of lapland, finland forsberg, ren, danish national space centre foster, john, milestone hill & haystack observatories, massachusetts institute of technology, cambridge fuhs, paul, marine exchange of alaska furgal, christopher, nasivvik centre, ste-foy, quebec, canada futster, gunnar, norwegian pollution control authority, oslo gerlach, robert, alaska department of environmental conservation gerry, guay, alaska department of environmental conservation goodison, barry, meteorological service of canada, ontario goos, tim, meteorological service of canada prairie and arctic region ; 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